据清代史料记载，乾隆年间有一个皇子睡了懒觉，耽误了第二天的读书，乾隆皇帝知道后非常生气，他斥责这个皇子说你既然这么贪图安逸享乐，就应该去做扬州盐商的儿子，而不应该生在我的家里，那么，乾隆皇帝为什么会产生这样的印象呢？扬州盐商又是一个怎样的群体呢？敬请收看。

据清代史料记载，乾隆年间有一个皇子睡了懒觉，耽误了第二天的读书，乾隆皇帝知道后非常生气，他斥责这个皇子说你既然这么贪图安逸享乐，就应该去做扬州盐商的儿子，而不应该生在我的家里，那么，乾隆皇帝为什么会产生这样的印象呢？扬州盐商又是一个怎样的群体呢？敬请收看。

清朝乾隆皇帝拟到南方巡视，届时派他爱妃沁妃的哥哥全肃先到所到之处进行安排，全肃到扬州后玩弄女人，受贿国宝“石砚”，对此郑板桥写下一首警示之诗张贴在大街上，全肃认为此为反诗，令扬州知府捉拿“犯人”，为了保护郑板桥，用死囚代替郑板桥。

年届退休又已离婚的托尼过着安逸自在的生活，某天接获通知大学时期女友的母亲过世，前女友的母亲在遗嘱里头留给托尼一本神秘的日记，而那本日记竟属于托尼昔日好友亚德利恩。　　前女友薇洛妮卡跟托尼分手后，曾跟亚德利恩发展出热烈情愫，而当年亚德利恩向托尼坦承两人恋情时，托尼写了封祝福的信回覆，但没过多久，亚德利恩竟因不明原因离奇自杀身亡。这段刻苦铭心的三角恋情，竟就发生过什么无法挽回的插曲，而如今收到日记的托尼，又该如何面对许久不见的前女友薇洛妮卡，以及消逝在回忆里等待重新被翻出的惊人秘密……

年届退休又已离婚的托尼过着安逸自在的生活，某天接获通知大学时期女友的母亲过世，前女友的母亲在遗嘱里头留给托尼一本神秘的日记，而那本日记竟属于托尼昔日好友亚德利恩。　　前女友薇洛妮卡跟托尼分手后，曾跟亚德利恩发展出热烈情愫，而当年亚德利恩向托尼坦承两人恋情时，托尼写了封祝福的信回覆，但没过多久，亚德利恩竟因不明原因离奇自杀身亡。这段刻苦铭心的三角恋情，竟就发生过什么无法挽回的插曲，而如今收到日记的托尼，又该如何面对许久不见的前女友薇洛妮卡，以及消逝在回忆里等待重新被翻出的惊人秘密……

Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

In this short film, Simone Massi takes his inspiration from scenes of wars that really happened - from World War II to the refugee camps of the 6-Day War, from the attack on the Mostar bridge to the cars set on fire in the war in Syria - to tell what they all have in common. 　　“The suffering of civilians is the only truth of any war, and Simone Massi shows it to us starkly. After so many images of the victims about their tragedy, Gino’s words open the horizon to a possible alternative: abolishing war is an urgent necessity. In this film, there is everything Gino has done and thought in his life against the logic of violence,” says Simonetta Gola, Communications Director of Emergency.

A young couple struggles to make ends meet, the woman works as a nurse and the young man starts robbing homes and paying visits to lonely housewives.

Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

In this short film, Simone Massi takes his inspiration from scenes of wars that really happened - from World War II to the refugee camps of the 6-Day War, from the attack on the Mostar bridge to the cars set on fire in the war in Syria - to tell what they all have in common. 　　“The suffering of civilians is the only truth of any war, and Simone Massi shows it to us starkly. After so many images of the victims about their tragedy, Gino’s words open the horizon to a possible alternative: abolishing war is an urgent necessity. In this film, there is everything Gino has done and thought in his life against the logic of violence,” says Simonetta Gola, Communications Director of Emergency.